Pecan Pie Baby
Blackall’s apt watercolor-and-ink pictures capture the grounded serenity of a multiracial family (and community) with its priorities on straight. Beloved Gia’s got corn rows and a sweet gap between her front teeth. The fact that a dad or other mom doesn’t figure in renders her conflict more poignant. Cleverly, the story arc spans autumn’s slide into winter—a welcome alternative to all those ding-dang spring-baby plots. Fresh and wise. —Kirkus Reviews
Gia’s narrative voice is prime Woodson-lyrical, colloquial, and imbued with the authentic feelings of a child who might be as old as eight or as young as five, and Blackall’s smooth-edged, Chinese ink and watercolor illustrations show the little family of two thriving in their simple, cozy home. Gently, the art clarifies and dramatizes the truth that change may feel threatening even in the most wholesome and loving environment-a familiar message, but a comforting one, delivered here with unusual warmth and grace. —Horn Book